In the heart of Bristol, a powerful and poignant performance is set to unfold at the Bristol Old Vic, where Tom Marshman, a 51-year-old performer, will share his personal journey and the collective experiences of the queer community through his show "Section 28 and Me." This performance is not just a recounting of history; it is a heartfelt exploration of identity, visibility, and the lasting impact of legislation that sought to silence a community.

Section 28 of the Local Government Act, passed in 1988, effectively banned local authorities and schools from "promoting" homosexuality. This legislation had far-reaching consequences, creating an environment where queer identities were marginalized and often rendered invisible. Marshman, who grew up during this time, recalls the challenges of coming of age as a young gay man. "The route of the show for me is 'am I a show off' because I grew up in a time when identities like mine were hidden or invisible," he said.

Marshman's journey to self-discovery was fraught with difficulties, as he navigated a world where representation of queer identities was scarce. "There were no role models for me in that period, [or] there were a few, but they were difficult to come by," he explained. Despite these challenges, Marshman found solace and connection in Bristol, a city that offered a sense of community and support. "I was lucky I had started visiting and making friends in Bristol, where I was able to work out who I was, but there were lots of people who didn't have that," he said.

The impact of Section 28 was profound, affecting not just individuals but entire communities. Marshman's performance aims to bring these experiences to light, sharing stories of historical shame and invisibility. Through his show, he hopes to foster a sense of unity and understanding, encouraging audiences to reflect on the past and its implications for the present.

In preparation for the performance, Marshman hosted tea parties, inviting members of the queer community to share their stories and experiences during the time Section 28 was in effect. These intimate gatherings provided a platform for individuals to voice their struggles and triumphs, creating a rich tapestry of narratives that form the backbone of Marshman's show.

Marshman emphasizes that "Section 28 and Me" is not just about his personal journey but about the collective experiences of the queer community. "The show is not just about me, but about other people and how everyone comes to their own realization in different time frames," he said. During previous performances, Marshman has observed a powerful phenomenon: audiences, moved by the stories shared, have felt compelled to share their own experiences. "There's something about looking at our past, our history, and trying to learn from that," he noted.

Section 28 was repealed in England and Wales in 2003, marking a significant step forward in the fight for LGBTQ+ rights. However, the legacy of this legislation continues to resonate, serving as a reminder of the importance of visibility and representation. Marshman's performance is a testament to the resilience and strength of the queer community, highlighting the need for continued dialogue and understanding.

"Section 28 and Me" is more than just a performance; it is a call to action, urging audiences to reflect on the past and its impact on the present. By sharing personal stories and collective experiences, Marshman hopes to foster a sense of community and solidarity, reminding us that our histories are intertwined and our futures are shaped by the lessons we learn from them.

As Marshman takes the stage at the Bristol Old Vic, his performance promises to be a powerful and moving experience. From 15 to 17 May, audiences will have the opportunity to engage with a piece of history that continues to shape the lives of many. "Section 28 and Me" is not just a recounting of the past; it is a celebration of resilience, a call for visibility, and a reminder of the importance of community.

In a world that often seeks to silence marginalized voices, Marshman's performance stands as a beacon of hope and understanding. Through his art, he invites us to reflect on our past, celebrate our identities, and work towards a future where all voices are heard and valued.